被批斗的僧人，拉萨，约1966年摄。
（在拉萨，斗争会的目标在往返斗争会的途中，沿着一条从札门林寺通往拉莫切寺的小巷游行。这位脸上画着粗糙油彩的人是色拉寺的著名喇嘛日布仁波切，他是大约 35 次斗争会的斗争目标。这一次，他的脸被涂上了颜料，手里还拿着一个小佛龛，脖子上挂着…
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@故国旧影4th：
被批斗的僧人，拉萨，约1966年摄。
（在拉萨，斗争会的目标在往返斗争会的途中，沿着一条从札门林寺通往拉莫切寺的小巷游行。这位脸上画着粗糙油彩的人是色拉寺的著名喇嘛日布仁波切，他是大约 35 次斗争会的斗争目标。这一次，他的脸被涂上了颜料，手里还拿着一个小佛龛，脖子上挂着 一套祭祀用的铙钹。他的名字 "阿旺嘉措 "和 "牛鬼蛇神 "的字样在他被戴上的高帽子上清晰可见，他于 1976 年出狱，11 年后得以前往印度，此后的余生一直在西藏以外的地方弘扬佛法。
Struggle parade with Ribur Rinpoche
Targets of struggle sessions are paraded along an alley leading from the Tsemonling temple to the Ramoche temple in Lhasa, on their way to or from a struggle session. The man with the crudely painted face was a famous lama from Sera Monastery, Ribur Rinpoche, who was the struggle target in some thirty-five struggle sessions. On this occasion his face has been daubed with paint to make him look like a villain and he has been made to carry a small Buddhist shrine in his hands, with a set of ritual cymbals draped around his neck. His given name, “Ngawang Gyatso,” and the words “ox-demon-snake-spirit” are legible on the tall hat he has been made to wear as a sign of criminality. He was released from prison in 1976 and was able to get to India eleven years later, after which he spent the rest of his life teaching Buddhism outside Tibet. (Tsering Dorje, Lhasa, 1966.)）
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